Contact

Get in touch

Give me a call

+352 621 281 315

Write me a message

mail@monogram.lu

Give me a call

+352 621 281 315

Send me a message

mail@monogram.lu

Hit enter to search or ESC to close
MonogramMonogram
  • 0
    was successfully added to your cart.

    Basket

0
  • No menu assigned
  • Boutique design company.
    Tailormade proposals and personal commitment for graphics & identity.
    show me
    Boutique design company.
    Tailormade proposals and personal commitment for graphics & identity.
  • Impress your customers with a
    brandnew visual identity.
    show me
    Impress your customers with a
    brandnew visual identity.
  • Make a mark with thoughtful design and carefully selected paper.
    show me
    Make a mark with thoughtful design and carefully selected paper.
  • Distinguish yourself or your business with a personal monogram.
    show me
    Distinguish yourself or your business with a personal monogram.
  • Stand out of the crowd with bespoke correspondence for special events.
    show me
    Stand out of the crowd with bespoke correspondence for special events.
  • Leave an impression with tailormade social correspondence sets and cards.
    show me
    Leave an impression with tailormade social correspondence sets and cards.
  • Take a moment and drop someone a line with
    Monogram's greeting cards.
    show me
    Take a moment and drop someone a line with
    Monogram's greeting cards.
1/4

follow me #monogram

My flag BROTHERS AND SISTERS for the exhibition “What the flag?! (15.05 - 16.06) during europeandesignfestival.lu curated by Anastasia Chaguidouline @baby_please_i_wonder and @wouter_huis on Avenue de la Liberté, Place de Paris, Luxembourg.
.
BROTHERS AND SISTERS

“To be rooted is perhaps the most important and least recognized need of the human soul” 
wrote Simone Weil in wartime England in 1942.

A national flag stands as a symbol for a distinctive, unified story of a nation’s history, culture and social construct to the world. It does not need to influence choice, or change opinion, because it should transcend any one moment in time. 

Flags are a nation’s “brand mark” and as such, in history as well as in current times, they have been and can be misused or become subject of reinterpretation, positively or negatively. They can convey a political statement or glorify a colonial past – or become the symbol of freedom and individuality.

By changing all 193 Flags of the UN Member states into the national colours of Luxembourg and recreating a new red white and blue global flag, Brothers and Sisters explores the question of identity, homeland, culture, origin and territorialization.

What is our individual identity and what does the symbol of a flag mean in a world where more and more people are chronically mobile and routinely displaced and invent homes and homelands in the absence of territorial national bases? Do we not all have similar roots, regardless where we were born? 

And finally, aren’t we all brothers and sisters?

.
More infos about the exhibition on @cerclecite and europeandesignfestival.lu

With Stina Fisch, Marco Godinho, Julien Hübsch, Reza Kianpour, Vera Kox, Lagerkultur, Miriam Rosner, Sarah Schleich 

@kianpour.lu @stinafisch @julienhubsch @lagerkultur @vera_kox @_sarah_schleich_ @monogram.lu @marcogodinho24 #flag #flagdesign #ilovebeingadesigner
My flag BROTHERS AND SISTERS for the exhibition “What the flag?! (15.05 - 16.06) during europeandesignfestival.lu curated by Anastasia Chaguidouline @baby_please_i_wonder and @wouter_huis on Avenue de la Liberté, Place de Paris, Luxembourg.
.
BROTHERS AND SISTERS

“To be rooted is perhaps the most important and least recognized need of the human soul” 
wrote Simone Weil in wartime England in 1942.

A national flag stands as a symbol for a distinctive, unified story of a nation’s history, culture and social construct to the world. It does not need to influence choice, or change opinion, because it should transcend any one moment in time. 

Flags are a nation’s “brand mark” and as such, in history as well as in current times, they have been and can be misused or become subject of reinterpretation, positively or negatively. They can convey a political statement or glorify a colonial past – or become the symbol of freedom and individuality.

By changing all 193 Flags of the UN Member states into the national colours of Luxembourg and recreating a new red white and blue global flag, Brothers and Sisters explores the question of identity, homeland, culture, origin and territorialization.

What is our individual identity and what does the symbol of a flag mean in a world where more and more people are chronically mobile and routinely displaced and invent homes and homelands in the absence of territorial national bases? Do we not all have similar roots, regardless where we were born? 

And finally, aren’t we all brothers and sisters?

.
More infos about the exhibition on @cerclecite and europeandesignfestival.lu

With Stina Fisch, Marco Godinho, Julien Hübsch, Reza Kianpour, Vera Kox, Lagerkultur, Miriam Rosner, Sarah Schleich 

@kianpour.lu @stinafisch @julienhubsch @lagerkultur @vera_kox @_sarah_schleich_ @monogram.lu @marcogodinho24 #flag #flagdesign #ilovebeingadesigner
My flag BROTHERS AND SISTERS for the exhibition “What the flag?! (15.05 - 16.06) during europeandesignfestival.lu curated by Anastasia Chaguidouline @baby_please_i_wonder and @wouter_huis on Avenue de la Liberté, Place de Paris, Luxembourg.
.
BROTHERS AND SISTERS

“To be rooted is perhaps the most important and least recognized need of the human soul” 
wrote Simone Weil in wartime England in 1942.

A national flag stands as a symbol for a distinctive, unified story of a nation’s history, culture and social construct to the world. It does not need to influence choice, or change opinion, because it should transcend any one moment in time. 

Flags are a nation’s “brand mark” and as such, in history as well as in current times, they have been and can be misused or become subject of reinterpretation, positively or negatively. They can convey a political statement or glorify a colonial past – or become the symbol of freedom and individuality.

By changing all 193 Flags of the UN Member states into the national colours of Luxembourg and recreating a new red white and blue global flag, Brothers and Sisters explores the question of identity, homeland, culture, origin and territorialization.

What is our individual identity and what does the symbol of a flag mean in a world where more and more people are chronically mobile and routinely displaced and invent homes and homelands in the absence of territorial national bases? Do we not all have similar roots, regardless where we were born? 

And finally, aren’t we all brothers and sisters?

.
More infos about the exhibition on @cerclecite and europeandesignfestival.lu

With Stina Fisch, Marco Godinho, Julien Hübsch, Reza Kianpour, Vera Kox, Lagerkultur, Miriam Rosner, Sarah Schleich 

@kianpour.lu @stinafisch @julienhubsch @lagerkultur @vera_kox @_sarah_schleich_ @monogram.lu @marcogodinho24 #flag #flagdesign #ilovebeingadesigner
My flag BROTHERS AND SISTERS for the exhibition “What the flag?! (15.05 - 16.06) during europeandesignfestival.lu curated by Anastasia Chaguidouline @baby_please_i_wonder and @wouter_huis on Avenue de la Liberté, Place de Paris, Luxembourg.
.
BROTHERS AND SISTERS

“To be rooted is perhaps the most important and least recognized need of the human soul” 
wrote Simone Weil in wartime England in 1942.

A national flag stands as a symbol for a distinctive, unified story of a nation’s history, culture and social construct to the world. It does not need to influence choice, or change opinion, because it should transcend any one moment in time. 

Flags are a nation’s “brand mark” and as such, in history as well as in current times, they have been and can be misused or become subject of reinterpretation, positively or negatively. They can convey a political statement or glorify a colonial past – or become the symbol of freedom and individuality.

By changing all 193 Flags of the UN Member states into the national colours of Luxembourg and recreating a new red white and blue global flag, Brothers and Sisters explores the question of identity, homeland, culture, origin and territorialization.

What is our individual identity and what does the symbol of a flag mean in a world where more and more people are chronically mobile and routinely displaced and invent homes and homelands in the absence of territorial national bases? Do we not all have similar roots, regardless where we were born? 

And finally, aren’t we all brothers and sisters?

.
More infos about the exhibition on @cerclecite and europeandesignfestival.lu

With Stina Fisch, Marco Godinho, Julien Hübsch, Reza Kianpour, Vera Kox, Lagerkultur, Miriam Rosner, Sarah Schleich 

@kianpour.lu @stinafisch @julienhubsch @lagerkultur @vera_kox @_sarah_schleich_ @monogram.lu @marcogodinho24 #flag #flagdesign #ilovebeingadesigner
My flag BROTHERS AND SISTERS for the exhibition “What the flag?! (15.05 - 16.06) during europeandesignfestival.lu curated by Anastasia Chaguidouline @baby_please_i_wonder and @wouter_huis on Avenue de la Liberté, Place de Paris, Luxembourg.
.
BROTHERS AND SISTERS

“To be rooted is perhaps the most important and least recognized need of the human soul” 
wrote Simone Weil in wartime England in 1942.

A national flag stands as a symbol for a distinctive, unified story of a nation’s history, culture and social construct to the world. It does not need to influence choice, or change opinion, because it should transcend any one moment in time. 

Flags are a nation’s “brand mark” and as such, in history as well as in current times, they have been and can be misused or become subject of reinterpretation, positively or negatively. They can convey a political statement or glorify a colonial past – or become the symbol of freedom and individuality.

By changing all 193 Flags of the UN Member states into the national colours of Luxembourg and recreating a new red white and blue global flag, Brothers and Sisters explores the question of identity, homeland, culture, origin and territorialization.

What is our individual identity and what does the symbol of a flag mean in a world where more and more people are chronically mobile and routinely displaced and invent homes and homelands in the absence of territorial national bases? Do we not all have similar roots, regardless where we were born? 

And finally, aren’t we all brothers and sisters?

.
More infos about the exhibition on @cerclecite and europeandesignfestival.lu

With Stina Fisch, Marco Godinho, Julien Hübsch, Reza Kianpour, Vera Kox, Lagerkultur, Miriam Rosner, Sarah Schleich 

@kianpour.lu @stinafisch @julienhubsch @lagerkultur @vera_kox @_sarah_schleich_ @monogram.lu @marcogodinho24 #flag #flagdesign #ilovebeingadesigner
My flag BROTHERS AND SISTERS for the exhibition “What the flag?! (15.05 - 16.06) during europeandesignfestival.lu curated by Anastasia Chaguidouline @baby_please_i_wonder and @wouter_huis on Avenue de la Liberté, Place de Paris, Luxembourg.
.
BROTHERS AND SISTERS

“To be rooted is perhaps the most important and least recognized need of the human soul” 
wrote Simone Weil in wartime England in 1942.

A national flag stands as a symbol for a distinctive, unified story of a nation’s history, culture and social construct to the world. It does not need to influence choice, or change opinion, because it should transcend any one moment in time. 

Flags are a nation’s “brand mark” and as such, in history as well as in current times, they have been and can be misused or become subject of reinterpretation, positively or negatively. They can convey a political statement or glorify a colonial past – or become the symbol of freedom and individuality.

By changing all 193 Flags of the UN Member states into the national colours of Luxembourg and recreating a new red white and blue global flag, Brothers and Sisters explores the question of identity, homeland, culture, origin and territorialization.

What is our individual identity and what does the symbol of a flag mean in a world where more and more people are chronically mobile and routinely displaced and invent homes and homelands in the absence of territorial national bases? Do we not all have similar roots, regardless where we were born? 

And finally, aren’t we all brothers and sisters?

.
More infos about the exhibition on @cerclecite and europeandesignfestival.lu

With Stina Fisch, Marco Godinho, Julien Hübsch, Reza Kianpour, Vera Kox, Lagerkultur, Miriam Rosner, Sarah Schleich 

@kianpour.lu @stinafisch @julienhubsch @lagerkultur @vera_kox @_sarah_schleich_ @monogram.lu @marcogodinho24 #flag #flagdesign #ilovebeingadesigner
Image Storage Containers @jeffweber.be Identity an Image Storage Containers @jeffweber.be Identity and general exhibition communication during @emoplux . Thank you @cnalux for trusting me with this project©️armand quetsch #emop #photography #identities #designformuseums ##ilovebeingadesigner
The Hand That Topples The Tower @bourscheidmike & The Hand That Topples The Tower @bourscheidmike & @vanessanabrown and Image Storage Containers @jeffweber.be identity and general exhibition communication during @emoplux . Great fun working for @cnalux #emop #photography #identities #designformuseums ##ilovebeingadesigner
We dig archaeology, we celebrate art, we are made We dig archaeology, we celebrate art, we are made by history: we are Nationalmusée! Rebrand with @a_designers_collective for @nationalmusee
I am delighted to share the outcome of an exciting I am delighted to share the outcome of an exciting collaboration between 
MONOGRAM and @a_designers_collective.

After playing with the idea for a while, the perfect opportunity presented itself for hooking up creatively;
the rebranding of the @nationalmusee 
The museum changed its name and we changed their look!

Nationalmusée um Fëschmaart
The new name strengthens their identity as a museum and emphasizes the unique character of their collection, 
which spans archaeology, history and art.
The new logo is inspired by the museum’s architecture, particularly the ramps that connect the various levels. 
Visitors are compelled to practically descend into history, from prehistoric times to the present.

Dive deep into history and culture!
 #WeAreNationalmusee #nationalmusee #identity #logo #museumcommunication #museumlogo #ilovebeingadesigner
My @cecilsbox “My Dream Walked On Four Legs - M My @cecilsbox 
“My Dream Walked On Four Legs - My Dream Pushes Air" is inspired from “The Coahoma County Wind Cults” by David Berman, author and musician from Williamsburg, Virginia, who became an indie rock cult figure with his band Silver Jews, before taking his own life in August 2019.
.
The creative process very often starts with a blank page – an empty space – before the inspiration starts flowing. Relatively straightforwardly at first and then it can become slightly bizarre, conjuring up an “absurdist landscape”. The artist himself might well be gone, but his words linger.
.
.
The Coahoma County Wind Cults

My dream walked on four legs 
toward the remote source 
of a pale yellow letter

only to circle around the cabin 
when it got there.

A black and white cave rainbow 
arched between two old shoes.

Oxygen bounced off the face of a doll, 
looking for the slow dazzling guts 
of a life form.

There was a moment of sudden clarity 
when the pages burned in opera glasses,

like a herd crossing zip codes 

or an exhumed idea pressing 
at the limits of the marquee bulbs,

my dream pushes air.

-

David Berman 
The Coahoma County Wind Cults 
© 1999 by David Berman
#davidberman #cecilsbox #embroidery #collage #ilovebeingadesigner
There she is ! A glorious New Year! HAPPY HAPPY HA There she is ! A glorious New Year! HAPPY HAPPY HAPPY! #2023 #happynewyear
This error message is only visible to WordPress admins
There has been a problem with your Instagram Feed.
  • Contact /
  • Portfolio /

is a boutique design company in Luxembourg city

Call on +352 621 281 315 or write to
mail@monogram.lu

© 2023 by Monogram

  • Disclaimer & Data Policy
  • Shop
  • Home
  • Monogram
  • Portfolio
  • References
  • About
  • Contact